statement

My photographic practice emerges from intimate space as a site of transformation and observation, where the personal and the structural intersect. Through an inquisitive gaze, I seek to uncover time and space within everyday moments through patterns, textures, and subtle codes that reveal the extraordinary rhythm embedded in the seemingly ordinary. As a mother and wife, I use photography to explore roles that generate a force capable of organizing, limiting, and at the same time expanding my identity. The familiar —with its routines and emotional load— becomes a means to examine saturation and uncover the fissures within it.

 

Daily life —weekends with my children, family trips, and urban walks— compels me to pause and capture what often goes unnoticed: reflections, light fragmenting across water, windows suggesting stories behind façades, and architectural patterns. I am drawn to reflections as elements that allow one to appear and disappear simultaneously, generating parallel realities that question both personal visibility and the surrounding environment while opening pathways to new narratives.

 

The circle and the line have become recurring elements throughout my work. The circle alludes to the cycles we move through as part of a continuous process of personal deepening and transformation. The line represents the search for order within an environment saturated with stimuli: a structure that offers pause and harmony. Patterns and the accumulation of forms reflect the load inherent in family and social life, as well as the need to find a personal space within collectivity.

 

Architecture and spatial details are essential to my work, not only for their aesthetic value but also as metaphors for internal organization, the balance between control and freedom, and the harmony one attempts to sustain amid everyday chaos. Each series constructs open narratives in which the titles activate the image, allowing viewers to project their own experiences onto the work.